FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA
Federico. There is no forgetting, no dream: fresh flesh

Genre: Documentary theater and objects.

Duration: 80 min

Original language: Spanish

Translations: English, French.

Recommended age: + 12.

Once you get close to Federico, you realize that everyone has lied, filled in holes and hidden information in a self-serving way.

This is not another fiction about Federico García Lorca.
This is a place of poetics speculations.
And we say well. We say speculations because there is nothing definitive until the genetics lab says otherwise.

«Federico. There is no forgetting, no dream: fresh flesh» is a document between memory, desire and imagination that travels to the bottom of the earth, where the disappeared live.

Federico. No hay olvido, ni sueño: carne viva is a documentary and artistic research project that includes a podcast of the same name. As related content, we have created a section called Tejer memoria (Weaving memory) that appeared on La Ventana de la Cadena SER in July 2025.

FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Función. Javier Martín Ruiz. Proyecto 43-2
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Función. Javier Martín Ruiz. Proyecto 43-2. teatro documental
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Proyecto 43-2
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Función.Proyecto 43-2
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Función. Proyecto 43-2
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Proyecto 43-2. Teatro documental
FEDERICO. NO HAY OLVIDO, NI SUEÑO: CARNE VIVA​. Federico. Proyecto 43-2
Federico 17 agosto 2024_2

Some words from the author

“When I was seventeen years old I saw Josefa Torrecilla, my great-great-grandmother, being unearthed from a grave. Since then I have always wanted to get closer to the exhumations of the victims of the Spanish Dictature, but between life, some things and others, it has not been until now when it has been possible.”

Logically, the commission I received from the Diputación de Granada to generate a documentary work on Federico García Lorca and his relationship with Valderrubio led us to the ravine of Víznar, where a documentary work on Federico García Lorca and his relationship with Valderrubio led us to the ravine of Víznar, where for four years now bones have been exhumed and stories unearthed.

Between Valderrubio and Víznar a fascinating world opened up. And from that journey, this piece is a document compiled by Pablo Rodríguez, Alba Muñoz and myself, in an attempt to contribute something to the preservation of the memory of our country.

 

María San Miguel

TECHNICAL AND ARTISTIC TEAM

Original idea, dramaturgy and direction:

María San Miguel

Collective composition and performers:

Alba Muñoz, Pablo Rodríguez and María San MIguel

Original music:

JUANALBERTO
(ex Niños Mutantes) BSO recorded by JASS at PRODUCCIONES PELIGROSAS

Lighting:

Xiqui Rodríguez

Staging and costume design:

Karmen Abarca and crew

Direction assistant:

Sara Velasco

Producción:

María San Miguel

Production assistant:

Noe Iglesias

Press Assistant:

Bea García

Audiovisual content:

Luis Guillermo S. de la Corte, Iván Roiz and Alba Muñoz

Photo:

Vir Pintado / Javier Martín Ruiz / Iván Roiz / Luisa Valares/ José A. Henares

Graphics:

Alba Muñoz

Technical assistant on tour:

Marcos G. Núñez

Counseling and context:

Conchi Cejudo and Scientific team of the University of Granada:

Francisco Carrión, Daniel Quiroga, Erik Borja, Laura Gutiérrez, Juan Francisco Coto, Francisco de Asís Carrión, Félix Bizarro, Rafael Cid, Aila Piniol, José Ángel Merino, Antonio Luque y Pablo Olivo; and the Asociación Feminista de Víznar.

Production and distribution:

Proyecto 43-2

With the support of:

Con la colaboración de:

RELATED AUDIOVISUAL CONTENTS:

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